thatsgoingtobetime:

Beach day

thatsgoingtobetime:

Beach day

(via fuckyeahdylanrieder)

(via planetaryfolklore)

Lara Stone by Inez van Lamsweerde for Purple Fashion, Summer 2007

Lara Stone by Inez van Lamsweerde for Purple Fashion, Summer 2007

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guyletatooer:

On Cyril .
L’Heure Bleue , Lyon .
FRANCE .

On the edge of experience, Wanda Koop

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Aerial Landscapes by Emmet Gowin

The Interiors of Wes Anderson’ in the latest issue of Apartamento #13

“You could compare Wes Anderson to an interior decorator,”says  Apartamento’s Editor-in-Chief Marco Velardi of today’s enchanting series, taken from the bi-annual title’s latest issue. With the director and screenwriter’s private house strictly off limits, the magazine traces the meticulously considered art of set design in his filmography: miniature brownstone apartments, nostalgic color schemes and embroidered and elaborate costumes. “I always say that a picture of someone’s home tells you a lot more about that person than any portrait possibly can,” muses Nacho Alegre, director and co-founder of Apartamento. “I imagine in a movie the time you have to describe a character is limited, so using the interiors to do so probably becomes something of a necessity.” An intricate visual language has become Anderson’s trademark; in his hands, set design becomes both a storytelling device and character trope, from his shot-on-a-shoestring debut, Bottle Rocket, to his latest saccharine fantasia, The Grand Budapest Hotel. Velardi adds: “Ultimately, if you look at his work there are a lot of interiors, with very peculiar and very precise work on the spaces and what people wear; Wes is passionate about every single detail, and that’s why it’s fascinating for us.”  

h/t nowness

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paris2london:

(via A gorgeous Barcelona home | Fashion Squad)

paris2london:

(via A gorgeous Barcelona home | Fashion Squad)

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Li Hui

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planetaryfolklore:

dereklerner:

Fracture 2

Derek Lerner - 2013 Archival quality, acid-free pigment-based ink on Rives BFK paper mounted to wooden panel with acid-free adhesive 9.375 x 6.5 x 1.75 in

planetaryfolklore:

dereklerner:

Fracture 2

Derek Lerner - 2013 Archival quality, acid-free pigment-based ink on Rives BFK paper mounted to wooden panel with acid-free adhesive 9.375 x 6.5 x 1.75 in

Topanga Cabin | Tiny House Swoon

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Johnny Abrahams

Johnny Abrahams

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